BOOKS

BLATT BOOKS

is based in Berlin, Germany with distribution outlets worldwide. We specialize in unclassifiable literary works by iconoclastic authors.

FORTHCOMING IN 2009

CARBON by Heidi James
DICKLUNG & OTHERS by Travis Jeppesen
THE INSURGENT by Noah Cicero

HOW DO WE CHOOSE AUTHORS?

Currently, we do not accept unsolicited manuscripts or project proposals. Each of our projects is solicited by invitation only.

Travis Jeppesen:
Dicklung & Others

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dicklung_web Dicklung & Others is Travis Jeppesen’s second collection of poetry.

Travis Jeppesen is the author of two novels, Victims and Wolf at the Door, and a book of poetry, Poems I Wrote While Watching TV. A collection of his art criticism, Disorientations, was published in 2008 by Social Disease. In June 2009, his play Daddy premiered in Berlin at the Hebbel Theater under the direction of Ron Athey. Jeppesen currently resides in Berlin.

Jeppesen has a gift for balancing accessibility with lyricism, and the laconic speech of teenagers with philosophical density.”
Punk Planet Magazine

“”. . . [B]oldly strange, funny . . .”
The Advocate

FARMER’S ALMANACK

Hey old man, give me some love.
Squeal like a pig into the pig void,
a satisfying shadow appears over there.
Clear-minded distillation of facts and fluids,
yellow eyebrows harking backwards oh
the speed of an owl. Until we find ourselves
doting over obscure banalities, how many
gallstones make a wolf howl?
I forgot.

Then again,
the story’s deeper than it seems. For
hamburgers and joyrides, the frosty majesty
bleeds or collides yet to instill within
powderlike manifestations: garlic-infused
pig juice on Saturdays.

Whomever the corpus runs
over, tell him you saw me with Larry
fleeing. I never wanted
to forget you, but I gave in
to substance however meek
the endowment tasted. Caffeine
helps when no one else unloads;
sprayed on to the droplets, the cloud
dislodges its promising harness:

Institutionalized glee.

TRAVIS JEPPESEN
DICKLUNG & OTHERS
ISBN: 978-0-9821945-2-2 BLATT BOOKS
226 pages

Heidi James:
Carbon

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carbon_web James’ debut novel is a dystopian meditation on identity, fiction, Cartesian duality, and stolen jewels. A hallucination of decline and disintegration, this darkly comic novel unpicks the seams of manic realism.

Heidi James’ novella The Mesmerist’s Daughter (published by Apis Books) was launched in July 2007. Her novel Carbon (published by Blatt) will be out in Summer 09 and is published in Spanish by El Tercer Nombre. She has collaborated with artists including Delaine LeBas, Marisa Carnesky and Tara Darby. Her essays and short stories have appeared in various publications and anthologies including Dazed and Confused, Next Level, Flux, Brand, Another Magazine, The Independent, Undercurrent, 3:AM London, New York, Paris, Dreams That Money Can Buy, Full Moon Empty Sports Bag, Pulp,net etc. She is a doctoral research student.

PRAISE for CARBON:

“An affecting meditation on identity and escapism.”
Dazed and Confused

“Heidi James’ prose, at its best, sings.”
Will Self

“Ingenious.”
Dazed and Confused

“I can’t recommend the work of Heidi James highly enough. .. macabre and deliciously black.”
Laura Hird

“Original and intriguing.”
Guardian unlimited

Salome winks her shellac eyes at me in the street lamp darkness and jiggles her tits in my face. She lies on the bed, her face next to Dickies and starts licking his eyes, his lips, his cheeks, whispering with her vagina; he is rocking his hips, dry humping the bed in his thwarted frenzy. Salome gets up and kneels with me between his legs. I do nothing until she tells me to. She scoops her fingers into my cunt to lubricate them, before turning and inserting them in Dickie’s anus. Dickie curls his back towards his head and wants more, Salome laughs at his straight boy enthusiasm for arse fucking. ‘Have you got a dildo babe or a vibrator?’ I shake my head, then remembering the day I arrived here reach under the bed and pass her my grandmother’s thick rod of rubber, still uncleaned since the old girl used it. Salome rams it in his hole, his cock muted under his body but he is panting and wriggling as if he is about to come and pushing back against his toy cock. He shudders and lays still, his shoulders flapping as he recovers his breath. Salome kisses his face, leaving the vibrator in his arse, while she offers me another line of coke.

HEIDI JAMES
CARBON
ISBN: 9780982194515 BLATT BOOKS
134 pages

Bard Cole:
This Is Where My Life Went Wrong

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bcole_cover1 In his first novel, C. Bard Cole weaves a delirious web of invented fragments of American literature with the language of nursery rhymes, school books, encyclopedias, advertisement, pop music lyrics and TV listings.

A frantic field guide to a mental landscape shaped by literary allusion and littered with pop culture detritus, This is Where My Life Went Wrong is autobiography as anti-novel, placing the universal story of an artist’s coming-of-age in the context of American history, politics, and culture at the beginning of a new century.

C. Bard Cole witnessed the two great urban disasters of twenty-first century America in New York City and New Orleans and is currently waiting for the third in Memphis, Tennessee. His short fiction has appeared in Men on Men, Flesh & The Word, and other book anthologies, as well as in the short story collection, Briefly Told Lives. He is a former assistant editor of Alabama Heritage magazine, where most notably he contributed an article about a fascinating rock.

PRAISE FOR C. BARD COLE’S Briefly Told Lives

It is rare to come across a genuinely original voice in fiction, but Bard Cole is just that.
– Sebastian Beaumont, Gay Times (UK)

A master of confused longings, clear-eyed chronicler of ambiguous desire, purveyor of desperate acts of love. He charts the course of badly lived lives with great economy and wit.
– Paul Russell, author of The Coming Storm and Boys of Life

The way these stories face the fucked-up music of lies, sex, loss, and social injustice, and maintain their curiosity and style, is a really new, rare pleasure.
– Dennis Cooper, author of Frisk and Period

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He gave her a long, juicy taste of his magic lollipop. It was an all-day sucker. She gobbled down the sweet nectar. She would never be satisfied with just a taste. She wanted all of it inside her parched, hungry throat. This is true. She really liked lollipops. On the other hand, one thing she disliked a lot was penises.

Billy was the smallest player on the team, but when the guys kicked back to play some more relaxed games, he showed what a great receiver he could be. Even when he got pounded over and over, he sprang right up, ready for the next guy to have a go at him. He loved nothing better than getting a workout and building up a sweat going head to head with the big guys. By the end of that session, he was wet from head to foot and boy did he feel sore. The soreness gave him trouble later that evening, when he went to a gay sex club and fifteen guys ran a train on him. Billy made a mental note never to play football and bottom at a gay orgy on the same day.

Tommy started off his English class doing good work & pleasing Teacher, but he just could not keep it up all semester. Disappointed, Miss Brown asked what his problem was — did Tommy need special attention? A more personal touch? Tommy eagerly agreed and for the next two months Miss Brown took the reins and drove that boy harder than he’d ever been driven before. Her one on one efforts made him say with a smile that he never thought he’d enjoy being ridden by a teacher! Ridden hard and whenever he wanted to quit she said no, fighting back and taking him to the next level. And it must be said that Tommy was Miss Brown’s favorite pupil too. It was her last year teaching junior high — she had reached the mandatory retirement age of 65. She gave Tommy a nice pen and pencil set.

Mister Joju hairy potto. A nickel bag of hope. A nickel bag of pussy. A nickel bag of dereliction of duty. A nickel bag of angina. A nickel bag of diarrhea of the mouth. A nickel bag of Mediterranean style consoles. A nickel bag of pork. Squeeze one’s nut. Chasm one’s peccary. Notch-puncture one’s Frenchman.

BARD COLE
THIS IS WHERE MY LIFE WENT WRONG
ISBN-13: 978-0982194508 BLATT BOOKS
276 pages

Aleš Mustar:
C(ourt Interpretations

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mustar_web C(o)urt Interpretations is the first full-length collection by one of Slovenia’s most provocative young poets, Aleš Mustar. In Mustar’s court, consumerism stands on trial alongside “post-post-modernism” and Dostoevsky. With his witty philosophical riffing on the trappings and evasions of contemporary society, Mustar sharply demonstrates what it means to poeticize with a gavel.

Aleš Mustar was born in 1968 in Ljubljana, Slovenia. His poetry has been published in the most important Slovenian literary magazines, and has been translated into Czech, Serbian, Polish, Macedonian, English, and Romanian. He holds degrees in English and Pedagogy from the University of Ljubljana and a Ph.D. in Romanian literature from the University of Bucharest. Mustar has also written for the theater, and is a translator of Romanian and Macedonian literature.

“Upon reading a book such as this, we can state that this kind of poetry in its essence values revolt. In the case at hand, the personal and social rebellion has a solid base and does not float weightlessly in midair. Irony remains one of the key elements of C(o)urt Interpretations; Mustar uses it with no hesitation, and by intensifying it, achieves its opposite and eventually its annihilation. Irony, which often turns into self-irony, at times overcomes melancholic impulses; their edges are smoothed by an urge to smile. In a sense, the tone of some of Mustar’s poems can be compared to that of the comics in a daily paper: both involve the urgency to update an event, criticism, irony, and humor. Yet neither the former nor the latter comes equipped with an objective recipe to guarantee its quality; it can only be a result of the right combination and an adequate dose of all the constituents, which is something only the best achieve. This, along with the collection’s immediateness in terms of its contents, is why C(o)urt Interpretations raises dust on the shelves of modern Slovene poetry.”
- Robert Simonišek

Depression

How can I not feel tormented
when I – a middle-aged man – am forced to wait
for my verse to mature
while the world keeps turning into science fiction.
I’m so numb
that I can’t feel the mobile phone vibrating in my trouser pocket anymore.
The box, which at the push of a button
can also serve to entertain,
is vulturously broadcasting the funeral of the President of State.
Viewing figures go up when the camera zooms in on accident-charred bodies,
and the meter goes berserk
when the grieving faces of his wife and children appear on the TV screen.
In another country, an earthquake buries three thousand people.
The weight of casualties of war places them mere third.
The computer animation is scratching its head.
Even if we are saved from bird flu by vegetarianism,
from AIDS by sexual abstinence,
and from SARS by becoming homebodies,
we will not escape one-track-mindedness.
I receive an e-mail,
I hope it’s not virus-infected,
saying that the promised land
has just embargoed the import of literature from so-called non-democratic countries.
Should I start building my musculature in fitness centers?
Should I turn into Super, Action or Spider Man,
are you willing to become my Xena
so that together we can save the world?
Is this becoming to a poet?
How much virtual decency this indecent world requires!
I’m not sure whether I should give in,
climb the nearest hill
to watch the freshly fallen snow,
or change the channel instead,
that’s why today, my dearest,
I’m so goddamn depressed.

Aleš Mustar
C(o)urt Interpretations
Translated from the Slovenian by Manja Maksimovič
ISBN-13: 978-1599713397 BLATT BOOKS
78 pages

Travis Jeppesen:
Poems I Wrote While Watching TV

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jeppesen_webTravis Jeppesen’s debut collection Poems I Wrote While Watching TV is a ruthlessly implosive meditation on the death of language in a media-saturated world. Perfectly complimented by Jeremiah Palecek’s sardonic illustrations, Poems I Wrote While Watching TV ponders the mundane and the un-nameable with a highly personal mixture of devastation and humor.

Travis Jeppesen was born in Fort Lauderdale, Florida, studied literature at the New School for Social Research in New York and the Sorbonne Nouvelle in Paris. He currently resides in Prague, Czech Republic. He is the author of a novel, Victims, which was selected by Dennis Cooper to debut his Little House on the Bowery Series for Akashic Books in 2003. His poetry, prose, and essays have appeared in numerous print and online periodicals, and his work has been translated into Russian, Czech, Slovak, Croatian, and Bulgarian.

Jeremiah Palecek attended the Lyme Academy of Fine Arts, in Old Lyme Connecticut, was a visiting artist at the Glasgow School of Art, and received his BFA from the School of the Art Institute of Chicago. Currently, he maintains a daily painting blog. Jeremiah’s work has been said to be a collection of media detritus which is reconstructed, and (re)presented, through the medium of painting. While his work tends toward images culled from the more pop elements of our culture, there is always a sense of intense normalcy, which imbues his work with an air of confrontation. Having left America in 2003, Jeremiah Palecek lives in Prague, Czech Republic.

“Physically a very handsome book, and the drawings and watercolor work by Jeremiah Palecek show an eccentric wit and a pallid dash, and yet the real revelation here will be Travis Jeppesen’s poetry. Jeppesen lives in Prague, and writes in English, like an angel. If JG Ballard had turned to poetry while in the middle of writing Crash and Atrocity Exhibition, he still would have been lucky to have hit the heights of Poems I Wrote While Watching TV.”
- Kevin Killian

Nebulous Spectre

Pieces of matter transformed into holes.
Leave the pieces at salvation’s doorstep.
A million different ways of coming apart now.
It seems like the forevers once knew my sandwich.
Not anymore. So much
Passion in those files, the poisson in our archive,
Our history of lightness.
Deepness dwells inside the running man.
So many different spheres of inactivity competing to combine the two blank factors.
Sanitize backlaunch.
We haven’t slept together yet.
My human warmth blues get me down style.
Splurge into forgiveness; the puppet trope’s battle.

When the buttock soars…

Present escapes flashes of transplanted genus. Know how
Beneficial icy snatches of paradise can be when you’re singing the praises of the whale.
Dark splotches matter deeply.

Travis Jeppesen
POEMS I WROTE WHILE WATCHING TV
ISBN: 1-59971-340-3 BLATT BOOKS
80 pages